“Hej Mistře” – CU Christmas Concert ****************************************************************************************** * “Hej Mistře” – CU Christmas Concert ****************************************************************************************** It can be in no doubt that Christmas concerts are a staple of Czech festive traditions, wi a centre role in Czech culture. On the 17th of December at 7 pm the Charles University Cho chamber orchestra Orchestra Camerata Carolina under the conductor Jakub Zícha performed a in the Karolinum building of Charles University. The repertoire included Czech advent mati 16th century, a collection of old European carols as well as the famous Czech Christmas ma composed by the Czech teacher and composer Jakub Jan Ryba. The Charles University Choir was founded in 1948, the members either consisting of those c at the university or recently graduated. They perform numerous concerts throughout the aca recently singing at the 2014 memory awards event to coincide with 25 years since the Velve But it is no doubt that the highlight of any musician’s year are the Christmas concerts. T or singing of pieces which have been heard for hundreds of years, pieces of music which ea grown up hearing. Christmas carols are a tradition shared throughout the whole of Europe w having their own versions typical to their culture and traditions. Despite this, there are are shared across Europe as a whole; though the language which they are sung in may differ and accompanying atmosphere is same. Both the Czech advent matins from the 16th century an of European carols affectively brought the past Christmas choral festivities into the Karo performance of carols including In Natali Domini and Omnis Mundus. The performance of thes in the Karolinum’s Great Hall was flawless. The choir’s voices floating to each note that many others previously; carrying on the choral Christmas traditions. No Czech Christmas choral concert is complete without the mass composed by Jakub Jan Ryba Mistře” (translated in English as “Hail, Master”). Its performance has grown to become a C tradition since its composition in 1790. The mass through its text and music illustrates t nativity scene, with songs dedicated to particular events and characters within the nativi angels, shepherds as well as the journey to Bethlehem. The four soloists were Marta Fadlje Karolína Bubleová Berková, alto, tenor Martin Slavík and bass David Nykl. Similar to the L Ryba “Czech Christmas Mass” is in 9 sections; The Kyrie, Gloria, Gradual, Credo, Offertori Benedictus, Agnus Dei and Zavier. With the title of “mass” used it can be assumed that thi sung in Latin however the “Hej Mistře” mass is written and sung in Czech. This combined wi of short folk inspired motifs and rhythmic patterns results in a truly Czech Christmas mas The Karolinum built in the 14th century proved to be the perfect setting for this concert, acoustically and historically. Acoustically as the buildings structure , with its high cei walls and large open space creating a reverb which carried the voices through hall, mimick would have been heard in churches and cathedrals, where these pieces would have been origi Historically as the Karolinum and Charles University would have both been standing and inf the time of these pieces composition. This Christmas concert truly was magical, it bought traditional Czech Christmas choral tra the roof of a building steeped in Prague’s history, with the voices of the choir echoing t Great Hall as it has done for centuries. It showed that despite the commercialism which ac festive period, the traditions and choral festivities which truly make a Czech Christmas a and thriving. Suzanna Knuckey is a joint honours student studying music and history with archaeology at Charles University as an Erasmus student. Her interests include history, art, culture and in Prague as well as meet others from different countries and backgrounds.